Saturday, 25 February 2012

The Grey

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Year:2012
Country of origin:USA
Director:Joe Carnahan
Genre:Killer wolves
Starring:Liam Neeson, Dallas Roberts, Frank Grillo, Dermot Mulroney, Nonso Anozie, Joe Anderson, Ben Bray, James Badge Dale
Rating:4/5
IMDB link:http://www.imdb.com/title/tt1601913/
Tagline:Live and Die on This Day
Favourite line:"I'm going to start beating the shit out of you in the next five seconds."

Liam ‘voice like a snow-gritter’ Neeson in survival horror mode, here.

The plot:
In Alaska, a team of oil drillers are just coming to the end of their secondment to the icy wasteland. One of them, Ottway (Neeson), is in emotional turmoil following the death of his wife, and contemplates suicide, even going so far as putting a shotgun in his mouth.
Barrel end first, of course.
He’s not sick.
Not managing to go through with it, instead he finds himself on the flight to Anchorage that will take the drillers home when calamity strikes: the plane goes down, in the middle of nowhere, and only seven survive.
With little in the way of supplies – only what they can salvage from the wreck – their position looks perilous, and is made all the worse when it soon transpires that their most pressing concern is not the Arctic terrain, but a pack of wolves, into whose territory they have inadvertently crashed.
Which will kill them first?
The elements?
Or the slyly intelligent, massively territorial wildlife?

And it should be a load of old cobblers, but it works terrifically well.
Neeson is perfectly cast as the sour, embittered old gizzard who just happens to be something of an expert on all things lupine.
The director makes excellent use of the terrifyingly frozen landscape, casting an emotionless eye over the terrain to really drive home the full extent of the survivors’ plight.
The wolves themselves are a menacing foe and, though much could be discussed about the plausibility of such usually timid creatures acting in this manner, relax folks; it’s only a movie.
It’s a tough watch on occasion, too, with one particularly grisly sequence involving the removal of an already dead wolf’s head using nought but a small penknife. Shown in graphic detail, this scene caused quite the murmuring amongst the audience.
With a bleakness infused in every shot, this may be a Hollywood movie, but it strays far from the well-trodden territory of cliché and happy outcomes, instead forcing the viewer to really think about the conditions the men found themselves in.
Surprisingly powerful stuff.

Curse of the Puppet Master

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Year:1998
Country of origin:USA
Director:David DeCoteau
Genre:Devil dolls attack
Starring:George Peck, Emily Harrison, Josh Green
Rating:3/5
IMDB link:http://www.imdb.com/title/tt0132451/
Tagline:Four Years Ago, the Puppets of Andre Toulon Vanished Without a Trace. Now The Puppets have Found a New Home, And a New Puppet Master.
Favourite line:"I want to carve a living puppet…."

Part 6 of a horror franchise usually seems like a step too far, but those crazy puppets never get boring.

The plot:
With the dangerously animate puppets placed for auction, a mad doctor takes the opportunity to buy the bloodthirsty little bastards.
Hoping to better understand what gives them life, the crazy old spoon intends to use them to further his own evil experiments: transforming human beings into animated, puppet versions of themselves!

Yep, it's another Full Moon Entertainment production, so turn the lights down, sit back and delight in the low budget, nonsensical mayhem that is a Puppet Master movie.
By now, anyone watching should be familiar with the concept, so little time is spent on explanation. They just assume you get it.
Fair enough.
Story-wise, this is a slight diversion, as we are presented with at least one sympathetic character: a gas station attendant who may be brighter than he outwardly appears.
With virtually no violence until the last ten minutes, the entire special effects budget is then spunked on a rather grisly set piece at the denouement, as all the puppets gather around one deserving specimen and cut the fucking life out of him.
Great.
No masterpiece, this, but if retro horror is your bag, there's much worse out there. Liked it!

Pi

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Year:1998
Country of origin:USA
Director:Darren Aronofsky
Genre:Numerological madness
Starring:Sean Gullette, Mark Margolis, Ben Shenkman
Rating:5/5
IMDB link:http://www.imdb.com/title/tt0138704/
Tagline:3.14159265358979
Favourite line:"When I was a little kid, my mother told me not to stare into the sun, so when I was six I did."

Darren Aronofsky’s debut full length feature, and a tantalising first glimpse at a true auteur.

The plot:
Sean Gullette is Maximillian Cohen, a loner, obsessed by mathematics. Max spends his days studying numbers, seeking elusive patterns.
But not without purpose.
He has an aim in mind.
His focus centres around the stock market, and his absolute conviction that, as in nature, patterns must reside in what appear to be constructs of chaos.
And he thinks he has an idea what the pattern might be.
Drawing on inspiration from Fibonacci’s number, he suspects the spiral is integral to that which eludes him.
Working in a diner over coffee, Max meets Lenny, a Hasidic Jew, who confesses that he too is obsessed by numbers, though in his case the numerology focuses on The Torah.
Between them, is it possible they could potentially unlock the secret of life itself?

Shot in black and white, in harsh contrast, this is angular, frightening movie-making that by turns baffles and delights.
Those of a scientific leaning will find much food for thought here, as numerological patterns are discussed and explored, and those of a spiritual bent will also be engaged, with contemplation expounded on the purpose of life itself.
With a fearsomely powerful performance from Sean Gullette as Max, ably supported by the rest of the small cast, this may be a low budget art-house movie, but that in no way denigrates the quality.
Special mention must be made of the score, written and performed by Clint Mansell, who would go on to arrange the music for all of Aronofsky’s subsequent movies and, as with those, here the score lends an extra dimension, lifting the already remarkable to the levels of absolute perfection.
Intelligent, intense and occasionally demented, this is flawless stuff from a true genius of the art form.
Just brilliant.

Man on a Ledge

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Year:2012
Country of origin:USA
Director:Asger Leth
Genre:High concept fluff
Starring:Sam Worthington, Elizabeth Banks, Jamie Bell, Génesis Rodríguez, Ed Harris
Rating:2/5
IMDB link:http://www.imdb.com/title/tt1568338/
Tagline:You can only push an innocent man so far.
Favourite line:None worth mentioning

High concept thriller that really wants to be the new Phone Booth.

The plot:
Sam 'Avatar' Worthington is Nick Cassidy, an ex-cop turned escaped convict.
His crime?
Stealing a $40 million diamond from wealthy businessman David Englander (Ed Harris).
Booking into a hotel, Cassidy eats a last meal, them clambers out of the window onto a ledge some several hundred feet up.
With all eyes on Cassidy, nobody pays much attention to the activity directly across the street, as an audacious diamond heist is in progress, in David Englander's building, no less…..

It's a really neat setup, and almost, almost works.
Trouble is, they keep bottling it and leaving the ledge.
In the intro, I referred to the Colin Farrell, Kiefer Sutherland face-off that was Phone Booth: taut, efficient, utterly gripping, that's what this was going for, but the insistence on keep moving the action elsewhere lost all momentum.
Never quite sure whether it wanted to be a stripped down genre piece, a high tech' thriller in the mould of Mission: Impossible, or a balls out Hollywood actioner, this tries to blend all three, and ends up successful at none of them.
And don't get me stated about the end.
The second he started leaping from ledge to ledge like fucking Spiderman, I just lost interest.
A noble failure, this one.