Sunday 30 October 2011

The Wizard of Gore

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Year:1970
Country of origin:USA
Director:Herschell Gordon Lewis
Genre:Exploitation classic
Starring:Ray Sager, Judy Cler, Wayne Ratay, Phil Laurenson
Rating:4/5
IMDB link:http://www.imdb.com/title/tt0066578/
Tagline:Is It Magic? Or Wholesale Slaughter?
Favourite line:Not a line, a scene, as Montag stuffs his fingers into the eye-sockets of one of his onstage victims and proceeds to churn them around, the whole time whiteish clear liquid seeps from the gaping holes. Truly horrid.

Herschell Gordon Lewis' lurid and eccentric splatter-fest is a riot of colour and ghastliness and, whilst not perfect, it is a damn fun ride for its duration.

Meet Montag the Magnificent, illusionist extraordinaire, a man with a live performance that will boggle the mind. Every night, before an enraptured crowd, he selects a female volunteer from the audience and performs a cruel and sadistic mutilation of her body, be it swords rammed down the throat, heavy machinery used to carve open her midriff, or a chainsaw to the abdomen to saw her completely in half. The audience watch on, horrified, as Montag plays with the guts and the gristle, brandishing it in their direction so there can be no doubt that the deed has been done before, sensationally, the woman is returned to normal and retakes her seat. Sadly for the victim, however, there is not long left to live as, hours after each performance, the same women are found mutilated in the exact way enacted on stage.
Is Montag the murderer?
It is all an illusion?
Is any of it happening at all?

As trippy as they come, this is quintessential exploitation cinema, with lashings of gore.
For the most part, what takes place makes very little sense, even within individual scenes as, one minute, Montag is covered in blood and laughing dementedly at a shrieking audience, the next the audience are sitting quietly as if nothing untoward is occurring.
One minute, two women are on stage with swords sticking out of their mouths, the next, all on stage is calm.
This deliberately bewildering style simply serves to add to the feel, challenging the audience constantly:
Is this real?
Is THIS real?
What about this?
Christ, if you think Inception is a headfuck, check this bad boy out, it will send your mind reeling.
With one of the most demented denouements I have ever seen, this just shrieks 'cult classic' with every frame, and is one that every 'genre' fan should most definitely check out.
Thoroughly enjoyable stuff.

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